Tom Morgenstern is currently known as both a talented sound engineer and a former member of Die Zinnförster, the legendary Dortmund post-punk band. Before joining the band in February 1984, he recorded around 60 of his own songs on a Grundig quarter-inch tape recorder. He called them 'demos', but the recordings were never used for that purpose because he thought their technical quality was too poor. Tom later became a sound engineer and audio restoration specialist, but his ‘demos’ would have remained unreleased forever had it not been for the recent development of AI-based software that finally allowed him to break the old mono recordings down into their discrete tracks and mix them properly for the first time.

The album brings together the 24 best 'Grundig demos' in astonishingly clear stereophonic sound quality. Including a 20-page booklet, limited to 300 copies, Japan release only.

New release by V2 Schneider, the heretical musician from Bavaria. This album is a special compilation only for Japan, including a remake version of “Masko”, one of their oldest tracks from 1981, various tracks from the 2000s and unpublished tracks.

A soundtrack made for an animation film, ambient works depicting surreal soundscape, Neo-Krautrock at the intersection of experimentation and pop, ironic and satirical synth-pop and the original version of “Masko” from 1981 as a bonus...etc. This is the masterpiece album that sums up 45 years of V2 Schneider’s history, co-released by the artist’s own label, Schneider Music and Suezan Studio. With detailed commentary on each track by Schweighart himself (in English/Japanese). Limited to 300 copies!

When you buy the "V2 Schneider / Trophies" CD and "Blindgänger" (CD) at the same time at Suezan Studio web-shop, the first 100 buyers will receive the special postcards (2 types, Not for Sale)

Blindgänger was an enigmatic Punk band that formed by Jurgen Schweighart and some other members in Rosenheim, Bavaria in 1980 and disbanded after only a year and a half. They released a 4-track 7” in 1981, but after that very little information was available about them, and for a long time they were a mysterious band known only to a few vinyl collectors. This is a complete compilation album, including all the tracks from their only officially released 7” EP (1981) and 16 unpublished studio demo recordings from 1980. Includes a booklet with reminiscences by Schweighart (akaV2 Schneider) and lots of rare photos and flyers of the band.

All tracks are digitally remastered and sound crisp and clear. Limited to 300 copies. Japan release only!

When you buy the "V2 Schneider / Trophies" CD and "Blindgänger" (CD) at the same time at Suezan Studio web-shop, the first 100 buyers will receive the special postcards (2 types, Not for Sale)

The historic recordings have finally been revealed!
1-A Düsseldorf was formed in 1986 by Thomas Dinger (ex. NEU!, La Düsseldorf), Nils Kristiansen and some other musicians, and it was said that Damo Suzuki (ex. CAN) was fully involved on vocals in the early days. However, the sound sources at that time had never been made public and the authenticity had remained unclear. But these recordings were finally discovered in their archives. These tracks were recorded in Thomas Dinger’s studio between 1986 and 1994, before “Fettleber”, their first album in 1999.
All tracks were digitally remastered, limited edition, Japan release only!

* Please note: There are minor sound quality issues due to old recordings

When you buy the "Rost" 2CD at Suezan Studio web-shop, the first 200 buyers will receive the Disc 3 of the album(Not for Sale)

1-A Düsseldorf was formed in 1986 by the late Thomas Dinger, Nils Kristiansen, Steffen Domnisch and Dirk Flader and released 4 albums between 1999 and 2001. After the death of Thomas Dinger in 2002, the band continued with the remaining members and released their 5th album "Pyramidblau" in 2003. “Uraan” is their latest album, released 13 years after the 5th album. Featuring: Damo Suzuki (ex. CAN), Viktoria Wehrmeister (La!NEU?) and other guest musicians.
Digitally remastered, limited edition, Japan release only.

* This is a reissue of the CD originally released in 2016.

The first solo album by FM Einheit, who used to lead Einstürzende Neubauten's musicality. He briges the music scene of Berlin and Hamburg since the early 80's. This is the first official reissue of Einheit's first solo album since its original release in 1990. This album is a collecition of the stage, movie and ballet pieces recorded between 1988 and 1990. A great masterpiece of industrial music, with an inexhaustible array of electronics, orchestration and, as the album title suggests, the heavy blows of the "Stein (stone)".

Featuring VOOV (Christian Graupner), Katharina Franck, Caspar Brötzmann, Diamanda Galas, Blixa Bargeld, Alex Hacke and more.

Includes one previously unreleased track as a bonus. All tracks have been digitally remastered for even higher sound quality than the current digital files. CD with a miniature LP replica/Papaer sleeve (neon ink print). Limited to 500 copies. Japan release only!

[GRAN GUIGNOL: 2 title set]
* GRAN GUIGNOL / s/t (CD) SSZ4004
* GRAN GUIGNOL / The Artificial Paradise Under The Moon: Live 1981 (CD) SSZ4005

At Suezan Studio web-shop, "2 Title Set" sale only (not sold individually).

Gran Ggignol performed on avant-garde stages in a whitewashed style reminiscent of the Dark Contemporary Dance (Ankoku Butoh). They based in the city of Fussa, and they performed numerous clubs, such as the legendary Kichijoji Minor, and were very popular with music fans at the time, as an artistic band encompassed not only music but also equipment, lighting, flyers and fashion. Sadly, they disbanded in 1981.
Their only LP was recorded in 1981, in the late stages of their career, and released on Pinakotheca in 1982. The album caused a shock due to its high degree of perfection and is now sold worldwide at high prices.
This CD version is an exact miniature replica of the original special format LP cover, including the gold ink printing on the cover and the silk-screen printed outer plastic sleeve.
The latest digital remaster supervised by the original band member.
Limited edition of 500 copies.

This is the first official release of Gran Guignol's live recordings. Gran Guignol was an exceptional group in the Tokyo underground scene. These recordings are from their performance at Yaneura, Shibuya (Tokyo) on 13 February 1981, shortly before they disbanded. In the early stages of their performances, they performed in a whitewashed style reminiscent of the Ankoku Butoh, but as they played a total of 50 performances, they gradually changed their sound style to more pop tastes. This is one of the very last stages of their most pop-taste period, and was a powerful extension of their only album. This album also includes songs that were popular on stage but were never recorded in the studio and were not included on the album.
Includes additional information such as the lyrics, photos and memories of the time from the original member. Limited edition of 300 copies.

Gran Guignol

[DIE KRUPPS: 2 title set]
* Entering The Arena: Resurgence (CD) SSZ3107
* Volle Kraft vortaus in Arbeit / Live 1981 (CD) SSZ3108

At Suezan Studio web-shop, "2 Title Set" sale only (not sold individually).

Die Krupps moved their activities from Germany to the UK and recorded "Entering The Arena" in 1985 as their first UK release with Zeus B. Held, a talented producer who had worked with Dead Or Alive. However, the album was released as a six-song mini-LP, which for some reason did not fully reflect the musicians' intentions, and was a tragic end to Die Krupps' own career. Thirty-nine years after the release of "Entering The Arena", the musicians themselves reorganized it as "Entering The Arena: Resurgence", a full album based on the original album concept.
All the 12 tracks are completely different from “Entering The Arena”, the original mini-LP from 1985, including five unpublished tracks and a 12" track that was planned at the time but never materialized.
Liner notes by Jürgen Engler. Limited to 300 copies, Japan release only.

[Felix Kubin: 2 title set]
* Felix Kubin / The Tetchy Teenage Tapes Of
* Die Egozentrischen 2 / Der Aufstand der Chemiker
+ BONUS CD

At Suezan Studio web-shop, "2 Title Set" sale only (not sold individually).

UnPop + UnPop Deluxe: 2 Title Set
(Mini-CD + CD) SSZ3082-83

￥5,478　→　 Mailorder Special Price: 4,800 yen
VERY FEW STOCK
Nov. 26. 2021 On Sale

DIE ZINNFÖRSTER
Das Zauberhafte Land (CD)

SSZ3068
3,080 yen　Mailorder Special Price: 2,800 yen
[VERY FEW STOCK]
Mar. 19. 2021 On Sale

INFORMATION

SAAL 2

The first live concert on the 6thJune 1981 at Haus Blumenthal, Krefeld. A superb historical masterpiece recording. Including some tracks not on albums. Featuring: Jürgen Engler, Ralf Dörper, Bernward Malaka, Ralf Albertini, Frank Köllges, Eva Gössling.

This video was coincidentally shot by Yuzuru Agi, the chief editor of Rock Magazine then. A part of the recording was excerpted and previously released on a flexi disc from Vanity Records, Agi's label. This DVD was digitally remastered from the original VHS tapes recentlly discovered.

The memorial release on the 6th June 2021 to celebrate the 40th anniversary of their first show.
A 12 page booklet is included. Liner notes: Jürgen Engler.
<Few Stock>

<IMPORTANT NOTICE: Historic recording in prehistoric recording technology!>

Moritz R®

Moritz R became known as part of the German New Wave and ?Neue Wilde” painters generation of the late 1970s. Like a few others he started as a painter, but became even more identified as a musician of the electronic band Der Plan. With Frank Fenstermacher he was a co-founder of the independent New Wave gallery Art Attack, that became a focus point of the new art scene of the Dusseldorf region. Here it was that they met Kurt Dahlke aka Pyrolator and formed the band Der Plan. Moritz described this constellation as ideal for his work, because he could combine music, live performances, mask-, stage- and record cover design, music video and a strong desire for edgy conceptual ideas in one project. Nevertheless everybody in Der Plan always had their solo and side projects. For Moritz R it mostly meant painting. His works could be seen in exhibitions in Europe, America, New Guinee, Thailand and Japan. He also did stage and record cover design for others, most of all Andreas Dorau, who had been on the independent Ata Tak label, that R ran with Fenstermacher and Pyrolator after the end of the gallery.